DZ-41: Theme and Worldview

How can your characters’ worldview dramatise your theme?

In this episode, Stu and Chas tackle one of the more esoteric topics in screenwriting (and writing in general): theme! To help us tackle this topic, we decided to look at television pilots, because we felt that television requires the theme to be more explicit. Our zig-zagging (and long) discussion covers thematic engines, music themes, thematic loglines, punishment vs reward, and – perhaps most of all – the worldview of characters.

So we take a look at the opening and closing scenes (and middle scenes, too) of some of our favourite shows: HOUSE OF CARDS, CRAZY EX-GIRLFRIEND, TRUE DETECTIVE, FARGO and TRANSPARENT. We also make passing reference to SPEC OPS: THE LINE, GAME OF THRONES (its Stu’s new Star Wars), and BOJACK HORSEMAN.

In backmatter, we talk about the difference between the written scripts of these pilots and their released versions.

Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3.

It should go without saying but – SPOILERS AHEAD.

Please send feedback to ask at, via our web form or twitter @draft_zero  We are @chasffisher and @stuwillis on twitter.

Please considering rating or subscribing to us on iTunes! or sharing us on the Social Medias! We like finding new listeners.

One thought on “DZ-41: Theme and Worldview

Comments are closed.