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DRAFT ZERO

Draft Zero — Screenwriting Podcast & Deep Screenplay Analysis

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DZ-128: What even is a Character Arc?

What effect does character changing have on the audience?
DZ-128: What even is a Character Arc?
Listen to separate the three layers of an arc -- does the character change, how they feel about it, and how the audience is positioned to feel about it.
28 Jun 2026
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Stu, Chas and Mel have finally begun their journey into CHARACTER ARCS, starting with this “primer” episode to try and discern some learnings and analytical lenses through which to study future stories. In this episode, they explore difference between a character learning something and a character fundamentally changing, how to dramatise that, and how the show teaches the audience to perceive that transformation (whether positively or negatively). Throughout the discussion, they skate over A NEW HOPE, BLUE MOON, BREAKING BAD, BETTER CALL SAUL, the French real-time thriller FULL TIME, A KNIGHT OF THE SEVEN KINGDOMS, THE GREEN KNIGHT, ALL OF US STRANGERS, PREDATOR BADLANDS, FIELD OF DREAMS, MEG 2, and Stu’s receding hairline

Ultimately, this discussion synthesised into a series of questions to ask of a story and the main point of view character living through that story:…




"Contrast and affinity together creates the rhythm. But it goes into a whole bunch of stuff. Coming into character, and one of the things then he goes into is tone. And the way in which we understand tonality and the way we map tone is how it is related to everything else."

Stu Willis  |  DZ-128: What even is a Character Arc?


Recent Episodes

DZ-126: Secrets and Clues

How can Secrets and Clues motivate characters?
DZ-126: Secrets and Clues
Listen if you want to understand how hidden information drives character motivation and plot structure!
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“Getting information puts your character in danger. And danger rewards your character with information." — One of three ideas we steal from game design in this episode. In this two part series, we talk about how secrets, clues and hidden information motivate characters and may (or may not) help you plot from a character perspective. Part One (this episode) looks at WAKE UP DEAD MAN; while Part Two looks at SIDE EFFECTS, and the pilot episode of SHRINKING…


DZ-125: Oscars One-shot - BLUE MOON

What craft tools make a low-budget, contained, period drama riveting?
DZ-125: Oscars One-shot - BLUE MOON
Listen if you want to understand how narrative POV, screenplay format, and dialogue craft can elevate a contained biopic into an Oscar-nominated film
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BLUE MOON is a talky, period-drama that film about an obscure songer-writer in the 1940s. Yet, it attracted world-class talent AND Academy Award nominations, including for it’s script. Join Chas & Mel as they explore how narrative POV, interweaving relationships, hooky dialogue, and even the screenplay format itself make the script for BLUE MOON so great…



Foundational Episodes

Beginner's Guide →

DZ-4: Catharsis and the Post-Coital Cigarette

How does the end of certain films make your soul shudder?
Stu and Chas are joined by their first guest – illustrious script developer and producer Stephen Cleary – to explore how certain films can trigger an outpouring of emotion from the audience. Turns out that Aristotle may have figured it out a few thousand years ago and called it Catharsis…
⏱ 1h 25m
14 APR 2014
Listen if you want to make you endings great!
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DZ-41: Theme and Worldview

How can your characters' worldview dramatise your theme?
In this episode, Stu and Chas tackle one of the more esoteric topics in screenwriting (and writing in general): theme! To help us tackle this topic, we decided to look at television pilots, because we felt that television requires the theme to be more explicit. Our zig-zagging (and long) discussion covers thematic engines, music themes, thematic loglines, punishment vs reward, and - perhaps most of all - the worldview of characters…
⏱ 2h 32m
24 MAR 2017
Listen if theme feels abstract - we talk how how to make it visible through what characters believe.
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DZ-16: Masters of Time and Whitespace

Does manipulating time on the page make your script feel more cinematic?
Chas and Stu are joined by Khrob Edmonds - an award-winning filmmaker - to discuss manipulation of time…
⏱ 1h 49m
16 DEC 2014
Listen if you want your screenplay to feel cinematic before a director ever reads it.
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DZ-51: Antagonists! 3 - vs Nature

What changes in your story if your antagonistic forces can't be bargained with?
In this Part Three of our Five Part Epic Exploration™ into antagonistic forces (and sources of conflict), Chas & Stu explore “nature” antagonists, including some supernatural ones. What became clear in doing the homework (and recording this episode twice) was that the antagonistic forces - whether natural or supernatural - presented different narrative challenges to the protagonists if (a) they did not seem to make choices and (b) could not be bargained with or defeated…
⏱ 1h 52m
31 MAY 2018
Listen to understand why pressure--not obstacles--is what transforms a protagonist when they face an unstoppable force.
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DZ-10: Midpoint Reversals and The Ride

How can the middle of your film pivot so much that it pulls the rug out of your audience?
Stu and Chas embark on the first of a series of explorations into the dreaded Second Act. Their first stop is midpoint reversals or shifts, a plot point bang in the middle of ACT II that changes the protagonist’s goal, raises the stakes and potentially leaves your audience leaning forward and asking “How the hell is this going to end?&rdquo…
⏱ 1h 19m
8 JUL 2014
Listen when your second act sags and you need a structural jolt to accelerate audience engagement.
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DZ-44: Marvel - First Acts and Establishing Characters

How can your first act effectively establish your character journey?
First Acts are hard. They have to set so much in motion, especially setting up characters. To help them understand how to write effective first acts better, Stu and Chas turn their analytical gaze to a franchise that has been refining and reiterating its first act “schema” for over a decade... THE MARVEL CINEMATIC UNIVERSE…
⏱ 2h 7m
17 SEP 2017
Listen if your first act exposition feels clunky--the MCU has a schema for burying backstory inside character introductions.
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