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DRAFT ZERO

Draft Zero — Screenwriting Podcast & Deep Screenplay Analysis

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DZ-130: Positive Character Arcs

How can repeating the same beat dramatise a character changing?
DZ-130: Positive Character Arcs
Listen to understand how to dramatize an internal shift.
1 Sep 2026
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Welcome to our third entry in our character arc series; and the first where we talk about characters that actually change. And positively, tool

We deep dive into BARBIE, WIDOWS and ALL OF US STRANGERS to work out what makes an arc feel positive -- even if the film itself is heartbreaking. All three films are “positive arcs” that feel wildly different. We speculate whether that’s due to the nature of the relationship questions, the use of additive/subtractive rewards; and whether it’s do with the connection of the characters needs and their goals…



"If you can repeat events or beats from different angles, that helps demonstrate positive change. And that’s like, again, we talked about it in All of Us Strangers, where you have a similar beat, but a different outcome with Harry."

Mel Killingsworth  |  DZ-130: Positive Character Arcs


Recent Episodes

DZ-129: Steadfast Character Arcs - Agents of Change

How do you write a satisfying story when your character never changes
DZ-129: Steadfast Character Arcs - Agents of Change
Listen to learn how to move an audience with a character who never changes.
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Do characters need to change for you to have a satisfying story? That’s a question we’ve been asking since, like, episode five of this podcast. And we’re finally talking about them - whatever you call ’em: steadfast, resilent, or flat arcs…



Foundational Episodes

Beginner's Guide →

DZ-53: Antagonists! 5 - vs Audience

What if there is no antagonist?
It’s time. The Epic Deep Dive(TM) into Antagonists has reached its shuddering conclusion. And for this Part V - by choosing films that have no obvious singular antagonist (and in some cases no obvious narrative either) - Stu and Chas realised there was indeed a final category of antagonists: the films themselves. Where the film (and the filmmaker) are engaging directly with the audience. Where the films are... VERSUS AUDIENCE…
⏱ 2h 26m
26 AUG 2018
Listen to turn narrative uncertainty itself into the engine that keeps viewers compelled.
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DZ-50: Antagonists! 2 - vs Self

How can characters be their own antagonist?
In Part Two of our Five Part Epic Exploration™ into antagonists, Chas & Stu take a look at “vs self” stories. Stories where the protagonist (or main character) serves as their own antagonist as well as the antagonist for those around them…
⏱ 1h 47m
19 APR 2018
Listen if you want to understand how protagonists can serve as their own antagonist and how antagonistic forces shape a character's journey
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DZ-31: Tools for Better Dialogue 1

How does dialogue serve to reveal character?
Chas & Stu are joined once again by the renowned script developer and producer, Stephen Cleary. In the first part of our series on writing better dialogue (there will be more!), we take a close look at how dialogue serves character: individuating characters, revealing characterisation, shifting status, and much more…
⏱ 2h 5m
10 APR 2016
Listen if your want your dialogue to individualizes characters, reveal characterization, and shift status!
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DZ-67: Writing Passive Protagonists & Melodrama

How do I tell a powerful story where the protagonist cannot drive the plot?
Stu and Chas are joined by Stephen Cleary following his exploration into Melodrama, and together they try to reclaim the word from its pejorative meaning…
⏱ 2h 58m
30 APR 2020
Listen if you want to write powerful stories centred on characters without much agency.
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DZ-8: Status Transactions

How does a shift in status or power reveal character?
Stu and Chas explore an idea they both came across studying theatre: status and by extension (or juxtaposition) power. Is a story where a character changes status or experiences loss (or gains) in power more compelling…
⏱ 1h 32m
10 JUN 2014
Listen to make your character relatinships more dynamic.
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DZ-49: Antagonists! 1 - vs Humans

What makes a strong human antagonist?
Prompted by a listener (and patron of the podcast) question, Stu and Chas dive into antagonistic forces. And because Draft Zero does not do anything by halves, this is Part One of a Five Part Epic Exploration™ into antagonists; namely: vs humans, vs self, vs nature/supernatural, vs systems and “other”. aka the classic narrative conflicts…
⏱ 1h 20m
31 MAR 2018
Listen if you want to understand how to craft compelling antagonists who oppose your protagonist through direct human conflict
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