Relationships
Every episode covering Relationships.
"You don’t need it. You could just have her leaning on his shoulder, and that says everything about the emotional event. They have come closer, but I do think what it is that Bond has actually offered her that allows her to be closer to him is his complete absence of judgment of her."
— Chas Fisher | DZ-108: The Emotional Event with Judith Weston
KEY IDEAS
Relationships as Plot Lines
"Your quote unquote plot lines are just relationships. I think that is a really great way of, if you were to break it down, reading the script and seeing how those plot lines come in and out."
— Mel Killingsworth (01:09:32) · DZ-125: Oscars One-shot - BLUE MOON
Gestures as an Emotional Event
"You don't need it. You could just have her leaning on his shoulder, and that says everything about the emotional event. They have come closer, but I do think what it is that Bond has actually offered her that allows her to be closer to him is his complete absence of judgment of her."
— Chas Fisher (00:56:18) · DZ-108: The Emotional Event with Judith Weston
Secondary Romance as Midpoint Support
"a lot of rom-coms in the 30s and 40s had a secondary or tertiary romance that helped carry that midpoint through. And a lot of romances now, a lot of rom-coms are starting to do the same thing because that's super helpful and it helps both break it up and also can parallel and can cause other events."
— Mel Killingsworth (00:16:10) · DZ-106: How do you know if you have enough story?
Discovering World and Relationships in the Pilot
"For me, as I start writing the pilot, I'm figuring out a little bit about the world, about how the character, not just the characters, but how their relationships work."
— Mel Killingsworth (00:21:21) · DZ-106: How do you know if you have enough story?
