How can you use setups and payoffs to stitch your film together?
In this one-shot, Chas and Stu dive into the awesomeness of EVERYTHING EVERYWHERE ALL AT ONCE. In particular, we focus on its use of setups, payoffs and reversals; breakdown the difference between Pointers and Plants and Stitches; deep dive into its Michael Arndt inspired ending. And, of course, we talk hotdog fingers and butt-plugs.
As always: SPOILERS ABOUND.
Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3.
Thanks to Chris Walker for editing this episode.
CHAPTERS
- 00:00:00 – Intro
- 00:00:43 – Anywhere Anything At The Same time
- 00:10:48 – Summary
- 00:29:51 – Pointers and Planters
- 00:56:17 – The Ending
- 01:17:59 – Wrap Up and Key Learnings
- 01:30:06 – Thanks to our Patreons
LINKS
- Michael Arndt – Endings: The Good, the Bad, and the Insanely Great — https://vimeo.com/238637906
RELATED EPISODES
- DZ-06: Key Scenes and Unlocking the Story
- DZ-04: Catharsis and the Post-Coital Cigarette
- DZ-10: Midpoint Reversals and The Ride
This episode brought to you by ScriptUp – https://www.scriptupstudio.com – use promo code DZ10 to get 10% off.
Thanks to all our patrons, especially Malay, Casimir, Eduardo, Jennifer, Leigh, Garrett, Bjorn, Randy, Jesse, Sandra, Theis, Alex and Khrob. You rule!
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