In our second part of our “series” on Choices and Decision, we take a deep dive into THE FAREWELL and WRATH OF MAN, with a sidebar on NOMADLAND.
In order to better understand dramatising of character, Chas and Stu take a very draft zero look at very specific tool: choices and decisions. We analyse three films through the decisions made by their characters. In particular, how the audience understanding of: the choice available, the considered decision itself, and the consequence changes how we feel about these characters. And how separating those three things can create different emotional effects on your audience.