The Adventures of Tintin (2011)

Chas, Stu and Mel reunite to talk about writing the feel of camerawork in screenplays. We use “oners” — a long-playing continuous take — as a lens to talk about how some writers have “directed” from the page. We talk immediacy, camera positions, handovers, and anchoring action and more… →

Films: Goodfellas (1990) , The Adventures of Tintin (2011) , Children of Men (2006)