§ RESOURCES / FILM INDEX
F for Fake (1973)
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DZ-109: Talking DIRECTLY to your audience
What are the different ways a filmmaker can ask something of the audience?
AI✦Analyzes the film’s tactical deployment of fourth-wall address across temporal registers–interrogating whether the audience knows who speaks, from when, and what complicity the film demands in exchange for narrative access.✦
Listen if you've wondered what a character actually wants when they're talking directly to the audience!?
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What are the different ways a filmmaker can ask something of the audience… →
Films:
Fight Club (1999)
, Fleabag (2016)
, The Big Short (2015)
, F for Fake (1973)
, Star Wars (1977)
DZ-53: Antagonists! 5 - vs Audience
What if there is no antagonist?
It’s time. The Epic Deep Dive(TM) into Antagonists has reached its shuddering conclusion. And for this Part V - by choosing films that have no obvious singular antagonist (and in some cases no obvious narrative either) - Stu and Chas realised there was indeed a final category of antagonists: the films themselves. Where the film (and the filmmaker) are engaging directly with the audience. Where the films are… VERSUS AUDIENCE… →
Listen to turn narrative uncertainty itself into the engine that keeps viewers compelled.
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It’s time. The Epic Deep Dive(TM) into Antagonists has reached its shuddering conclusion. And for this Part V - by choosing films that have no obvious singular antagonist (and in some cases no obvious narrative either) - Stu and Chas realised there was indeed a final category of antagonists: the films themselves. Where the film (and the filmmaker) are engaging directly with the audience. Where the films are… VERSUS AUDIENCE… →
Films:
Ocean's Eight (2018)
, The Second (2018)
, F for Fake (1973)
, Sans Soleil (1983)
, Forrest Gump (1994)