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Blue Moon (2026)

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What craft tools make a low-budget, contained, period drama riveting?

AI✦Analyzes the screenplay’s unconventional formatting choices, particularly the use of “we” in action lines and scenebreaks as emotional rather than literal transitions, to maintain pacing and immersion within a confined, single-room setting.✦

⏱ 1h 18m

Structure · Character · Words | 26 FEB 2026

Listen if you want to understand how narrative POV, screenplay format, and dialogue craft can elevate a contained biopic into an Oscar-nominated film

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BLUE MOON is a talky, period-drama that film about an obscure songer-writer in the 1940s. Yet, it attracted world-class talent AND Academy Award nominations, including for it’s script. Join Chas & Mel as they explore how narrative POV, interweaving relationships, hooky dialogue, and even the screenplay format itself make the script for BLUE MOON so great… →

Films: Blue Moon (2026)

Structure: Narrative POV , Setups & Payoffs , Real Time , Openings , Character Questions

Character: Character Motivation , Relationships , Writing for Actors , Subtext , Character Agency

Words: Dialogue , Formatting , Scene Headings

"The continual use of we in action lines contributes to the pacing. It helps carry us along through the French scenes without sort of pulling us out of it when it goes to action lines."

— mel | DZ-125: Oscars One-shot - BLUE MOON