§ RESOURCES / FILMMAKER INDEX
Rob Reiner
Director
Films Discussed 4
- · A Few Good Men (1992) (d)
- · Misery (1990) (d)
- · The Princess Bride (1987) (d)
- · When Harry Met Sally... (1989) (d)
Draft Zero Episodes 4

DZ-49: Antagonists! 1 - vs Humans
What makes a strong human antagonist?
Prompted by a listener (and patron of the podcast) question, Stu and Chas dive into antagonistic forces. And because Draft Zero does not do anything by halves, this is Part One of a Five Part Epic Exploration™ into antagonists; namely: vs humans, vs self, vs nature/supernatural, vs systems and “other”. aka the classic narrative conflicts… →
⏱ 1h 20m
31 MAR 2018
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DZ-29: Showdowns & Scene Structure
What can fight scenes - whether physical or verbal - teach us about structuring any scene?
In exploring how to write good fight scenes, Stu and Chas compare how writers structure memorable showdowns - both verbal and physical. Fights vs arguments. Swords vs insults. Lightsabres vs passive aggressive subtext. To do this, they analyse the showdowns in EASTERN PROMISES, ROB ROY, THE FORCE AWAKENS (yes, yes, we finally let Stu officially discuss Star Wars), A FEW GOOD MEN, BREAKING BAD and BEFORE SUNSET… →
Listen to discover how fight scenes can be great inspiration for writing any kind of showdown (verbal or otherwise)

DZ-22: Romantic Comedy, Actually
How can studying RomCom clichés teach us to subvert them?
With Stu busy working on Hollywood blockbusters, Chas is joined by Alli Parker (script department on Aussie TV series and former co-ordinator of European #scriptchat) to unpick successful romcoms to see if they can illuminate a path for writers working in this struggling genre. Cheap to produce and potentially highly lucrative, Chas and Alli look at RomCom’s conventions to see what it may take to reinvigorate this genre… →
Listen if you're writing a romcom and want to understand what makes this gentre tick.

DZ-8: Status Transactions
How does a shift in status or power reveal character?
Stu and Chas explore an idea they both came across studying theatre: status and by extension (or juxtaposition) power. Is a story where a character changes status or experiences loss (or gains) in power more compelling… →
Listen to make your character relatinships more dynamic.
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Referenced In
Also on Shot Zero
- ↗ Week 59: Socials Roundup 2024-02-20

