§ RESOURCES / FILMMAKER INDEX
Phoebe Waller Bridge
Writer / Director
Films Discussed 2
- · Fleabag (2016) (d/w)
- · Killing Eve (2018) (d/w)
Draft Zero Episodes 5
DZ-112: Breaking the 4th wall
How is the effect of breaking the 4th wall different to voiceover?
As part of our series on how filmmakers can directly communicate to the audience, we finally examine the most blatant tool of them all: when character look directly down the barrel of the camera… and thus look directly at us, the viewer. Chas, Stu and Mel take the craft tools/levers they identified in previous episodes and use them to examine the tv-version-of HIGH FIDELITY (“Top Five Breakups”), ABBOTT ELEMENTARY (“Attack Ad)”) and - of course - FLEABAG… →
Listen to understand how breaking the 4th wall directly involves the audience in a character's emotional present.
▶ More Info
DZ-109: Talking DIRECTLY to your audience
What are the different ways a filmmaker can ask something of the audience?
What are the different ways a filmmaker can ask something of the audience… →
Listen if you've wondered what a character actually wants when they're talking directly to the audience!?
DZ-84: Choices & Decisions 1 - Booksmart
What is the difference between choice and decision when it comes to characters?
In order to better understand dramatising of character, Chas and Stu take a very draft zero look at very specific tool: choices and decisions. We analyse three films through the decisions made by their characters. In particular, how the audience understanding of: the choice available, the considered decision itself, and the consequence changes how we feel about these characters. And how separating those three things can create different emotional effects on your audience… →
Listen how the separation of choice, decision, and consequence (for a character) creates emotional impact.
DZ-63: Tools for Better Dialogue 2 - Hook and Eye
How can you create flow and contrast in your dialogue?
A full three years after the first instalment (and one of our most popular), Stu and Chas have kidnapped Stephen Cleary to once again develop some craft tools around dialogue. It would be fair to say that - in that time - all three have learnt a lot more about dialogue than they knew in 2016. It would be also fair to say that Stephen perhaps learnt a little more through his research into “genderlect”… →
Listen when you're rewriting dialogue and want to create connection between characters.
▶ More Info
DZ-60: Unfilmables 1 - Engaging imagination
How can unfilmables enhance the experience of your script?
*AKA Why your screenwriting guru is wrong *… →
Listen to discover how *produced* screenplays use unfilmables to shape tone, performance, and humour on the page.
▶ More Info
Films:
Lethal Weapon (1987)
, Hereditary (2018)
, A Quiet Place (2018)
, Killing Them Softly (2012)
, Spartan (2004)
, The Girl on the Train (2016)
, The Nice Guys (2016)
, Drive (2011)
, Michael Clayton (2007)
, The Tree of Life (2011)
, Three Billboards Outside Ebbing, Missouri (2017)
, Killing Eve (2018)
, Fleabag (2016)
, Sharp Objects (2018)
, Battlestar Galactica (2004)
Also on Shot Zero
- ↗ Week 84: Socials Roundup 2024-08-21