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DRAFT ZERO
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Lilly Wachowski

Writer / Director

Films Discussed 4

Draft Zero Episodes 3

DZ-55: Character Motivations 1
What to do when a reader says "I don't buy that he/she would do that"?
Chas & Stu look at examples of good character motivation. We’ve all watched movies where we don’t believe the motivation of a character or characters. We may have even written scripts where readers don’t buy the character’s choices. And that’s often a real problem because most of these choices coincide with key structural moments — e.g. the moments where the characters decide to do something “out of character” in order to progress to the next part of the story. To help us solve the problem of how to improve our character motivations, in this episode we explore great examples of character motivation and how they have helped the audience believe a character’s decision…
⏱ 2h 18m
Character · Structure | 15 JAN 2019
Listen if you're writing a scene where your character does something 'out of character' and your readers to buy it.
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DZ-38: Excelling at Exposition (Part 2)
How can exposition twist your story in new directions?
In the second part of Draft Zero’s two-part episode on “Exposition”, Stu & Chas take an even deeper look at this notoriously challenging part of screenwriting. For many stories there are pre-existing facts (or given circumstances) that need to be communicated to an audience, and often we rely on dialogue to do it. But exposition can do more than just communicate, it can serve as dramatic revelation that twists a story into a new direction or provides an emotional payoff - or both!. So how do great writers make exposition work for the story, rather than just tell audience stuff they need to know? And how can writers go wrong…
⏱ 1h 52m
Words · Structure · Scenes | 6 DEC 2016
Listen to learn how to use exposition as dramatic revelation rather than mere information delivery.
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DZ-15: World Building Rules, Okay?
How does setting up rules help you build a world?

In our most epic/longest episode yet, Chas and Stu tackle world building in films. Specifically, how the rules make something a world and not just a setting. Starting with world-centric genres like sci-fi and fantasy, we also cover horror, crime drama and - er - “other”. We discuss a variety of techniques for setting up the rules of the world, including cold opens, voiceover, title cards and outsider characters! We’ve limited ourselves to the opening 3-5 pages… mostly… because (so the theory goes) they’re the pages that teach the audience how to read/watch your story/film…

⏱ 2h 0m
Structure · Words · Tone | 4 NOV 2014
Listen when your opening pages feel like exposition dumps (which is bad, okay?)
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Referenced In

DZ-93
Talismans (Part 1)
⏱ 1h 37m
OCT 2022
DZ-78
Interweaving Timelines 1 - Destroyer
⏱ 1h 42m
APR 2021
DZ-20
Writing Strong Secondary Characters - Trinity, Bechdel and a Bamboo Killer
⏱ 1h 18m
APR 2015

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