§ RESOURCES / FILMMAKER INDEX
Dan Obannon
Writer
Films Discussed 2
- · Alien (1979) (w)
- · Total Recall (1990) (w)
Draft Zero Episodes 2

DZ-96: Ensembles 1 - What do we mean by an ensemble?
How can the same story feel different when you have more characters?
In the first part of our series on ensembles, Chas, Stu and Mel start by laying the groundwork for our future episodes. And we begin by asking the seemingly innocuous question: What do we mean by calling a story an ensemble?… →
Listen if you're working on a story with multiple protagonists and want to understand what makes an ensemble different from a single-protagonist narrative

DZ-10: Midpoint Reversals and The Ride
How can the middle of your film pivot so much that it pulls the rug out of your audience?
Stu and Chas embark on the first of a series of explorations into the dreaded Second Act. Their first stop is midpoint reversals or shifts, a plot point bang in the middle of ACT II that changes the protagonist’s goal, raises the stakes and potentially leaves your audience leaning forward and asking “How the hell is this going to end?&rdquo… →
Listen when your second act sags and you need a structural jolt to accelerate audience engagement.
Referenced In
Shot Zero Deep Dives
ALIEN Aesthetic (Pt 3) - Framing Ripley by Shot Zero
Read on SubstackALIEN Aesthetic (Pt 2) - The Ensemble by Shot Zero
Read on SubstackALIEN Aesthetic (Pt 1) - The Visual Strategies by Shot Zero
Read on SubstackStaging the violence in TOTAL RECALL 1990 vs 2012 by Shot Zero
How can staging a scene differently completely change how we feel about a character?
Read on SubstackVideos
How does Ripley take control in Alien?
Ripley invades Ash's space in Alien
Facehugger attacks Ripley in Alien
Why the fight choreography of Arnie's TOTAL RECALL is so good (and so brutal).
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