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Plot Questions
Every episode covering Plot Questions.
"Road movies often have that feel where a plot sequence or even a plot character sequence ends, and they’re still on the road and they’re still going in the same direction. The overall plot question of the film has not really changed. That’s why they feel episodic."
— Chas Fisher | DZ-43: Driving Sequences - Character and Plot Intensity

DZ-43: Driving Sequences - Character and Plot Intensity
What gives your sequences their intensity?
AI✦Stephen contrasts plot-driven sequences (“Will she defuse the bomb?”) with character-driven alternatives to show how question type fundamentally alters story structure and pacing.✦
Listen to understand how dramatic questions shape audience engagement and pacing through sequences.
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Chas and Stu are joined for the fourth time by the inestimable Stephen Cleary - this time to take a deep dive into sequences. A real deep dive. A 3+ hour deep dive… →
Films:
The Bourne Identity (2002)
, Naked (1993)
, The Diving Bell and the Butterfly (2007)
, There Will Be Blood (2007)
, Fargo (1996)
, Children of Men (2006)
, Kingsman: The Secret Service (2015)

DZ-126: Secrets and Clues
How can Secrets and Clues motivate characters?
AI✦A murder mystery demands the audience ask what happened and who did it, and the episode analyzes how Johnson structures clue distribution to keep those questions driving both character investigation and viewer engagement.✦
Listen if you want to understand how hidden information drives character motivation and plot structure!
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“Getting information puts your character in danger. And danger rewards your character with information." — One of three ideas we steal from game design in this episode. In this two part series, we talk about how secrets, clues and hidden information motivate characters and may (or may not) help you plot from a character perspective. Part One (this episode) looks at WAKE UP DEAD MAN; while Part Two looks at SIDE EFFECTS, and the pilot episode of SHRINKING… →
Films:
Wake Up Dead Man (2025)

DZ-69: PARASITE & Audience Questions
How can you use audience questions to heighten emotional investment?
AI✦Parasite’s architecture depends on withholding and revealing information that makes viewers constantly ask what happens next, a technique Chas and Stu break down.✦
Listen to understand how refusing to give your audience moral clarity can deepen their investment in character fates.
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Draft Zero return with their next YouTube livestream! Stu and Chas take a deep dive into PARASITE and how its mastery of audience questions elevates the film. They then answer listeners questions on PARASITE and much more… →
Films:
Parasite (2019)

DZ-54: Thematic Sequences
How does removing character and plot question force your audience to engage with theme?
AI✦Thematic sequences work by eliminating plot questions as the organizing principle, allowing audiences to sit with ambiguity about what happens next.✦
Listen if you want to make theme your primary driver (for a sequence)
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Chas and Stu are joined, once again, by the inestimable Stephen Cleary. This episode is a spiritual sequel to our last episode with Stephen, the one on sequence structure. That episode explored how sequences could be broken into plot, character, and plot/character sequences… →
Films:
Love Actually (2003)
, The Exterminating Angel (1962)
, Apocalypse Now (1979)
, In the Bedroom (2001)

DZ-10: Midpoint Reversals and The Ride
How can the middle of your film pivot so much that it pulls the rug out of your audience?
AI✦The episode tracks how midpoint reversals generate new plot questions that pull audiences forward by destabilizing their assumptions about where the story is headed.✦
Listen when your second act sags and you need a structural jolt to accelerate audience engagement.
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Stu and Chas embark on the first of a series of explorations into the dreaded Second Act. Their first stop is midpoint reversals or shifts, a plot point bang in the middle of ACT II that changes the protagonist’s goal, raises the stakes and potentially leaves your audience leaning forward and asking “How the hell is this going to end?&rdquo… →
Films:
Death at a Funeral (2007)
, Prisoners (2013)
, Short Term 12 (2013)
, Alien (1979)
, Aliens (1986)
, The Bourne Supremacy (2004)
, Full Metal Jacket (1987)
, Philomena (2013)
, How I Live Now (2013)
, Elysium (2013)
, Die Hard (1988)
, Star Wars (1977)
