Character Authenticity

Standup comedians can keep audiences gripped to their every word for over an hour, and often bring them to emotional climaxes by the end. So how do they do it and what tools can apply to scripted narratives… →

Films: Nanette (2017) , Baby Cobra (2016) , Inside (2021) , It's The Fireworks Talking (2007)

In watching Season 7 (and the first three episodes of Season 8) of Game of Thrones, Stu noticed that there were lots of scenes where characters either met for the first time or were reunited after a long time apart. In these scenes, the audience knows (or thinks they know) more than either character. And so the fascination, power and subversion comes from what the characters choose to reveal... or not… →

Films: Game of Thrones (2011)

Shows: Game of Thrones

Chas & Stu look at examples of good character motivation. We’ve all watched movies where we don’t believe the motivation of a character or characters. We may have even written scripts where readers don’t buy the character’s choices. And that’s often a real problem because most of these choices coincide with key structural moments — e.g. the moments where the characters decide to do something “out of character” in order to progress to the next part of the story. To help us solve the problem of how to improve our character motivations, in this episode we explore great examples of character motivation and how they have helped the audience believe a character’s decision… →

Films: Arrival (2016) , Notting Hill (1999) , Blockers (2018) , The Matrix (1999) , Star Wars (1977) , Game Night (2018)

Chas & Stu are joined once again by the renowned script developer and producer, Stephen Cleary. In the first part of our series on writing better dialogue (there will be more!), we take a close look at how dialogue serves character: individuating characters, revealing characterisation, shifting status, and much more… →

Films: Analyze This (1999) , Notting Hill (1999) , The Remains of the Day (1993) , The Avengers (2012)

In this episode, Chas and Stu are joined by a very special guest, SARAH SNOOK - star of Succession, Predestination, Jessabelle, and Oddball, amongst many others - to discuss ACTING and it’s relationship with WRITING… →

Films: August: Osage County (2013) , Predestination (2014)

In this series, Chas and Stu discuss TALISMANS. Physical objects that are imbued with meaning by a character or characters. They’re a powerful tool to access inner character… →

Films: Thor: Love and Thunder (2022) , In the Mood for Love (2000) , Cast Away (2000) , The Dark Knight (2008) , Mad Max: Fury Road (2015)

In this episode, Stu and Chas turn their gaze to the “tactics” that characters use in scenes to get what they want. Tactics are how the characters try to achieve their goals and (we reckon) can be revealing of the essence of their character. The shifting and thwarting of tactics can make scenes more dynamic; while over the course of a story, the changing of tactics can reflect the growth of characters... even if their goal stays the same… →

Films: Zodiac (2007) , Training Day (2001) , Hell or High Water (2016) , The Silence of the Lambs (1991) , Winter's Bone (2010)

In this episode Stu and Chas return to their first ever episode by tackling two Oscar-nominated screenplays. But this time - instead of exploring the rigid structures laid down by gurus - they use it as an opportunity to explore what they’ve learned in the last three years and apply them to the phenomenal writing in SPOTLIGHT and CAROL (with slight digression towards THE EXPANSE and GAME OF THRONES (which has possibly replaced Star Wars as the de facto reference point for anything.)… →

Films: Spotlight (2015) , Carol (2015)

In our final (ha!) episode looking at Talking Directly to the Audience, we turn away from character-and-text based craft tools to look at other ways that filmmakers - whether they be directors, writers, editors, or anyone else - can make the audience feel their ‘hand’ more. To that end, Mel, Stu and Chas dive into ADAPTATION, STORIES WE TELL and THE FORTY-YEAR-OLD VERSION… →

Films: Adaptation (2002) , Stories We Tell (2012) , The Forty-Year-Old Version (2020)

A full three years after the first instalment (and one of our most popular), Stu and Chas have kidnapped Stephen Cleary to once again develop some craft tools around dialogue. It would be fair to say that - in that time - all three have learnt a lot more about dialogue than they knew in 2016. It would be also fair to say that Stephen perhaps learnt a little more through his research into “genderlect”… →

Films: Juno (2007) , Deadwood (2004) , Fleabag (2016)

Shows: Deadwood 1x1 , Fleabag 2x5

Stu and Chas look at AMERICAN BULLSHIT (the 2010 Black List spec script by Eric Warren Singer) and the film it became… AMERICAN HUSTLE (co-written and directed by David O’Russell), which garnered 10 Oscar nominations in 2014… →

Films: American Hustle (2013)