DZ-15: World Building Rules, Okay?

In our most epic/longest episode yet, Chas and Stu tackle world building in films. Specifically, how the rules make something a world and not just a setting. Starting with world-centric genres like sci-fi and fantasy, we also cover horror, crime drama and – er – “other”. We discuss a variety of techniques for setting up the rules of the world, including cold opens, voiceover, title cards and outsider characters! We’ve limited ourselves to the opening 3-5 pages… mostly… because (so the theory goes) they’re the pages that teach the audience how to read/watch your story/film.

Like with the character introductions episode, we cover a lot of scripts. In no particular order… [deep breath]… THE MATRIX, THE MATRIX RELOADED, MATRIX REVOLUTIONS, INCEPTION, GRAVITY, MINORITY REPORT, MOON, LOOPER, ELYSIUM, JURASSIC PARK, HOW TO TRAIN YOUR DRAGON, HARRY POTTER AND THE SORCERER’S STONE, MADAGASCAR, FELLOWSHIP OF THE RING, PAN’S LABYRINTH, SNOW WHITE AND THE HUNTSMAN, NIGHT WATCH, VAN HELSING, THE ONE I LOVE, 28 WEEKS LATER, WORLD WAR Z, DAWN OF THE DEAD, 30 DAYS OF NIGHT, ZOMBIELAND, WOMAN IN BLACK, BRICK, ANIMAL KINGDOM, DIE HARD WITH A VENGEANCE, THE UNTOUCHABLES, GOODFELLAS, SHORT TERM 12, SILVER LININGS PLAYBOOK, TINKER TAILOR SOLDIER SPY, MOONRISE KINGDOM, THE ROYAL TENENBAUMS, and FOUR WEDDINGS AND A FUNERAL.

DZ-14: Writing For Actors & Old Underwear

In this episode, Chas and Stu are joined by a very special guest, SARAH SNOOK – star of Predestination, Jessabelle, and Oddball, amongst many others – to discuss ACTING and it’s relationship with WRITING. We focus our analysis on two scenes from AUGUST: OSAGE COUNTY, a screenplay that started life as a Pulitzer Prize winning play, and whose writer – Tracy Letts – is a successful actor in his own right. But, as usual, we ice-skate between a whole range of topics,  including what attracts actors to a script, writing realistic characters, how actors analyse scenes, character spines & objectives, and the importance of hugs.