DZ-43: Driving Sequences – Character and Plot Intensity

Chas and Stu are joined for the fourth time by the inestimable Stephen Cleary – this time to take a deep dive into sequences. A real deep dive. A 3+ hour deep dive.

Stephen postulates that sequences can compel the audience in different ways via the type of dramatic questions being posed. Are they plot questions (“Will she defuse the bomb?”) or character questions (“Will she understand what compels her to defuse bombs?”) or a combination of both? What is the impact on the pacing, structure of your story or audience experience of your characters by changing the type of question being asked? What happens to your story when your protagonist decides to literally abandon the plot?

DZ-09: Characterising Introductions

Can the introduction of a character be so good that the character doesn’t need describing? Stu and Chas argue about different techniques for introducing characters and whether character descriptions are even necessary. This is important for writers, as we only have words to compensate for the whole range of cinematic expression. And so Chas and Stu explore […]