DRAFT ZERO

DZ-28: Containing Your Script

How do you keep contained movies engaging?

Contained Thrillers seem to be a genre that never goes out of fashion. But being contained is not just limited to thrillers. It’s a way of telling stories on a lower budget, regardless of genre. So – while allegedly easier to make / get made – limiting a story to a single location also limits the tools that maintain an audience’s interest. Changing audience or character point of view, intercutting between locations or characters are all much harder (if not impossible) in contained films. So how do good contained films hook their audience and keep them?

In unravelling this locked room mystery, Stu & Chas look at three scripts form different genres: LOCKE – a drama; THE ONE I LOVE – a romcom or psychological thriller depending if you’re Chas or Stu; and EVERLY – an exploitation action movie. They also discuss films including BURIED, PHONE BOOTH, THE DISAPPEARANCE OF ALICE CREED, CUBE & CUBE 2, INFINITE MAN and BOXING DAY.

EPISODE LINKS

BACKMATTER

Please send feedback to ask at draft-zero.com, via our web form or twitter @draft_zero  We are @chasffisher and @stuwillis on twitter.

Please considering rating us on iTunes! or sharing us on the Social Medias!